Let BB Thomaz Whisk You Into the Celestial Song of the Stars with “Is It Too Much”.
If stars could sing, they might just sound like BB Thomaz. Diving into "Is It Too Much," one is quickly enveloped in a celestial tapestry woven with silken Afro-Soul threads. Melding moody ambiance with Thomaz’s velvety vocals, this song is a paradoxical blend of longing and the gentle embrace of acceptance. BB Thomaz isn’t merely a voice; she's an alchemist. Transcending her Nigerian roots and embedding quintessential pop, she creates sonic elixirs that straddle the realms of Afrobeats, soul, and R&B. But music, in its purest form, isn't just about sound—it's about creation, from the skeletal foundation to the lush canopy.
Thomaz, as both a maestro and a muse, crafts her songs with this profound understanding. Every note, every word, feels like a brushstroke on the vast canvas of human emotions, capturing the intricacies of relationships and the complexities of introspection. With "Is It Too Much," Thomaz invites listeners to ponder the age-old dilemma of love's perplexing dance, drawing them into a rhythmic reverie that is hard to awaken from. Allow her melodies to whisk you away into realms of reflection and resonance; it's a journey you won’t soon forget. Stream below
TRENDING NOW
From time to time, a song feels like a screenshot of bad decisions you haven’t made yet; for Savanna Leigh, “Nothing Yet” is that prophetic snapshot. Built on soft, chiming piano and a mid-tempo alt-pop pulse, the track begins with her raspy voice…
A dusk-coloured confession drifts out of Denmark and echoes through Lisbon’s old streets; “Før Du Går” finds CECILIE turning a goodbye into a slow-burning spiritual. Rooted in acoustic pop and alt-folk, the song opens bare: soft, cyclical guitar figures cradle her soulful…
Every year has one song that feels like a diary left open on the kitchen table; for Alexa Kate, “Forever” is that unguarded page. Over mid-tempo, indie-folk-kissed acoustic pop, she dissects time…
Midnight is that strange hour when the sky feels half-closed, and Hayden Calnin’s Middle Night sounds like the diary you write there. Recorded in his coastal studio, this seven-song cycle of adult contemporary, alt-pop and indie folk lingers in the quiet…
Every copyright lawyer’s worst nightmare might sound a lot like Nada UV’s Ideas Won’t Behave—three tracks of neo-soul and indie R&B that treat intellectual property as a cosmic joke rather than…
They say the soul weighs twenty-one grams; Giuseppe Cucé answers by asking how much memory, desire, and regret weigh when they start singing. 21 Grammi is his response—a nine-song indie-pop cycle that treats that old myth not as a scientific claim…
Every quarter-life crisis deserves its own hymn, and Drew Schueler’s “I Thought By Now” arrives like a confession whispered over blue light and unpaid dreams. The title track from his EP Vulnerable For Once turns the myth of linear success…
It’s a common knowledge that every lost summer has a soundtrack, and Brando’s “When You Stay” volunteers itself as the quiet anthem for the moments you replay in your head long…
Every revolution needs a bar jukebox, a desert highway, and a girl who refuses to shut up. ILUKA’s the wild, the innocent, & the raging album arrives as exactly that: a neon-lit road movie of an album where witchy cowgirls, runaway girls and manic pixie…
CONNECT WITH US
Cigarette ash and camera-flash memory conspire like mischievous archivists, and Tamar Berk has released “Indiesleaze 2005” as their newest artifact of that feral mid-2000s frequency—half glitter, half bruise. The track moves with a mid-tempo confidence that never hurries…