In his single "roundnround," Conrad orchestrates a mesmerizing fusion of dance pop and future bass, deftly intertwining Perrin Xthona's ethereal vocals with a pulsating, synth-infused soundscape. The song's minimalist beat, heavily steeped in synthesizers, constructs a rhythmic foundation that is both dynamic yet unobtrusive—an immaculate canvas for Xthona's mellifluous voice to soar. Her delivery exudes an infectious allure, compelling listeners to immerse themselves and echo the melodies. The composition oscillates with cohesive fluidity, its melody intermittently disrupted as if cutting the beat every other second, injecting a sense of dynamism and unpredictability into the auditory journey.

Lyrically, it delves into the introspective labyrinth of newfound infatuation, navigating the cyclical quandaries of love versus friendship—a theme encapsulated in the refrain: "We go round and round again / is it love or is it friends / We can't stop / We can't begin." Conrad's contribution to the Pop genre here is not merely additive but evolutionary, seamlessly blending the familiar with the avant-garde. By fusing time-honored sonic elements with Perrin’s contemporary vocals and universally resonant themes, he crafts a timeless piece that honors tradition while propelling innovation.

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